The Hypertext Who  
I'm One

Success Story

Guitar and Pen

Goin' Mobile

My Generation
Article Archive
Bibliography
Who Associates

See Me, Feel Me

Join Together
Odds & Sods
Chat Room

The Seeker

A Legal Matter
A Word about Copyrights
Privacy Policy

Bargain
The Who Official Merchandise

Discography > Albums > My Generation

My Generation

For more information check these links:
Liner Notes with additions and corrections by Brian Cady
Wikipedia
Whitefang's Who Site

Disc Track # Song
1 1Out in the Street
1 2I Don't Mind
1 3The Good's Gone
1 4La La La Lies
1 5Much Too Much
1 6My Generation
1 7The Kids Are Alright
1 8Please, Please, Please
1 9It's Not True
1 10I'm a Man
1 11A Legal Matter
1 12The Ox
1 13Circles
1 14I Can't Explain
1 15Bald Headed Woman
1 16Daddy Rolling Stone
2 1Leaving Here
2 2Lubie (Come Back Home)
2 3Shout and Shimmy
2 4Heat Wave
2 5Motoring
2 6Anytime You Want Me
2 7Anyway, Anyhow, Anywhere
2 8Instant Party Mixture
2 9I Don't Mind
2 10The Good's Gone
2 11My Generation
2 12Anytime You Want Me
2 13A Legal Matter
2 14My Generation

Buy it at one of these fine online retailers
The Who - My Generation

Here are some reviews of this album:


Reviewer: anonymous
Rating:

I'll give it a 5 because it influenced me as a player and definitely other bands such as Sweet and Cheap Trick and even W.A.S.P.! Check out their version of "The Real Me"! I personally wish it had more heavier numbers such as "The Kids Are All Right", "My Generation", "Substitute" but it's usually the nature of classic bands such as The Who to be very eclectic and diverse as well as versatile with their music.


Reviewer: anonymous
Rating:

This isn't the best debut by a British rock band ever (I prefer the debuts of the Stones, the Clash, and the Sex Pistols, personally), nor is it even close to being the Who's finest moment. It does contain a clutch of memorable Townshend originals ("The Kids Are Alright," "A Legal Matter," and two semi-forgotten songs which I love, "The Good's Gone" and "It's Not True," which basically presents a prototype for punk to the world), as well as two banal James Brown covers in which Daltrey's overemoting nearly matches that of Dave Davies on "Beautiful Delilah," from another Shel Talmy-produced debut (truly a hysterical performance). "My Generation" itself can't really be counted; it was made as a single and thus stands apart from the album (and anyway it's hard to separate the song from its historical context, although as a performance, it's the early Who at their very best).
What makes this album are the performances, even of the weak songs (excepting the two covers, which nothing can save; another instance of Daltrey's poor judgment at this stage of their career). The sound is muscular and raw; despite Talmy's ineptitude behind the board, the Who never sounded quite so powerful even when they turned the volume up higher (one listen to "The Ox" and you'll be convinced). The performances are enough to put the album ahead of the Beatles' and Kinks' debuts, but it's not the best album of its era. For a great Who album go for Sell Out or Who By Numbers or Meaty, Beaty, Big And Bouncy; for a great live album, go for Leeds or Isle of Wight. But if you want to hear the young Who (plus Nicky Hopkins) in all their angry awkward glory, this is the album to get. Even minus one of the original songs and in poor sound quality, the album still burns.


Reviewer: anonymous
Rating:

The dirty sound was great for the Who on this album. It perfectly mirrors the polished, yet great, production on Who's Next. Some weak cuts do demeanor the achievement, but it blew away the previous debut LPs of the Beatles and Stones. What a sonic experience. The instruments are like weapons, not mere musical tools. The Beatles were not singing pop anymore at the time of this release. Great ones followed, but the future great debuts: Fresh Cream, the Doors, Led Zeppelin, Never Mind the Bullocks, Here's the Sex Pistols, the Clash, numerous others, fall short. My Generation is only bested by a handful like Are You Experienced? but second to Hendrix is no failure, believe you me. Best tracks in my view (off the poorly packaged and re-mastered initial CD release in the mid-80s, which is a criminal effort since we still have only this album left to be repackaged and glorified), "Out in the Street," "The Good's Gone," "My Generation" of course, definitely "The Kids Are All Right," same for "It's Not True," and the sonic rock marvel of an instrumental "The Ox." By far, it is the definitive teen rebellion album in punk-rock history. Who needs these bands today that play punk rap that is not nearly up to the greatness of the Who (we should see more punk bands modeled after the Who, Clash and Sex Pistols rather than Green Day). Nirvana came the closest to recreating that embodiment of punk-rock artistic success. Today, a band like the Who needs to step up and overthrow this god-awful music industry (that looks like Hollywood now or some pre-fabricated porno film industry with VH1 talking great about crappy pop stuff from the disco age, the ape 80s and the overrated Seattle-rock scene, though legendary, it can't compare with the punk movement of the late 70s! which is all the original purveyors of rock went against. The 60s and most of the 70s (if you can forget all the top singles that reeked of pop pap!) are still the prime of rock's spirit which is all but dead now. And I'm 15, I think this about music my own generation listens to. Well I listen to "My Generation," as in the generation the Who sang about because it's real, true, and better.


Reviewer: anonymous
Rating:

I don't know what kind of version of this album I have here; I read an earlier review which gave Bucket T. as the best song on the album and stated that this song was included on the U.S. release. However, I believe I have an American release of the album, and there is no sign of Bucket T. Regardless, My Generation remains as one of the best debut albums in rock. It cannot be denied that the title track is the highlight, but other songs, such as The Good's Gone, The Kids Are Alright, and A Legal Matter, are also standout tracks. It's Not True is also quite amusing. I think the fact that this album is not re-mastered is helpful to the sound, because it does preserve the raw intensity that is so vital to the early Who's sound. Overall, this album is not really one of the group's finest works, but it is definitely an auspicious beginning. 


Reviewer: anonymous
Rating:

The Who didn't actually sing my generation. I think they SMASHED, DESTROYED, DEVASTATED, & OBLITERATED my generation!




The logos and trademarks used on this site are the property of their respective owners
We are not responsible for comments posted by our users, as they are the property of the poster

Interactive software released under GNU GPL, Code Credits, Privacy Policy