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Discography > Albums > My Generation

My Generation

For more information check these links:
Liner Notes with additions and corrections by Brian Cady
Wikipedia
Whitefang's Who Site

Disc Track # Song
1 1Out in the Street
1 2I Don't Mind
1 3The Good's Gone
1 4La La La Lies
1 5Much Too Much
1 6My Generation
1 7The Kids Are Alright
1 8Please, Please, Please
1 9It's Not True
1 10I'm a Man
1 11A Legal Matter
1 12The Ox
1 13Circles
1 14I Can't Explain
1 15Bald Headed Woman
1 16Daddy Rolling Stone
2 1Leaving Here
2 2Lubie (Come Back Home)
2 3Shout and Shimmy
2 4Heat Wave
2 5Motoring
2 6Anytime You Want Me
2 7Anyway, Anyhow, Anywhere
2 8Instant Party Mixture
2 9I Don't Mind
2 10The Good's Gone
2 11My Generation
2 12Anytime You Want Me
2 13A Legal Matter
2 14My Generation

Buy it at one of these fine online retailers
The Who - My Generation

Here are some reviews of this album:


Reviewer: anonymous
Rating:

I only have the UK release, but the American release isn't that different. I think it's wonderful. It has some great R&B numbers. Each song is better than the last! The two best songs, in my opinion, are The Good's Gone and It's Not True. I also enjoyed their cover of I'm A Man. In summary, it's a great debut from a excessively wondeful band.


Reviewer: anonymous
Rating:

This isn't the best debut by a British rock band ever (I prefer the debuts of the Stones, the Clash, and the Sex Pistols, personally), nor is it even close to being the Who's finest moment. It does contain a clutch of memorable Townshend originals ("The Kids Are Alright," "A Legal Matter," and two semi-forgotten songs which I love, "The Good's Gone" and "It's Not True," which basically presents a prototype for punk to the world), as well as two banal James Brown covers in which Daltrey's overemoting nearly matches that of Dave Davies on "Beautiful Delilah," from another Shel Talmy-produced debut (truly a hysterical performance). "My Generation" itself can't really be counted; it was made as a single and thus stands apart from the album (and anyway it's hard to separate the song from its historical context, although as a performance, it's the early Who at their very best).
What makes this album are the performances, even of the weak songs (excepting the two covers, which nothing can save; another instance of Daltrey's poor judgment at this stage of their career). The sound is muscular and raw; despite Talmy's ineptitude behind the board, the Who never sounded quite so powerful even when they turned the volume up higher (one listen to "The Ox" and you'll be convinced). The performances are enough to put the album ahead of the Beatles' and Kinks' debuts, but it's not the best album of its era. For a great Who album go for Sell Out or Who By Numbers or Meaty, Beaty, Big And Bouncy; for a great live album, go for Leeds or Isle of Wight. But if you want to hear the young Who (plus Nicky Hopkins) in all their angry awkward glory, this is the album to get. Even minus one of the original songs and in poor sound quality, the album still burns.


Reviewer: anonymous
Rating:

I'm going to be reviewing the American version of this album since I don't have the British version which puts on "I'm a Man" in place of "Instant Party (Circles)." This is a very good debut album, as good of a debut album, I think, as Please Please Me. This was the seventh Who album I listened to (as I also bought AQO during the same visit to the music store but played MG first), and my first impression was that it was pretty good, and I had been really surprised to find it, since it's so rare despite not being out of print, and it was only $7.99! It might have been a different first listening experience if there had been liner notes to go along with the songs, or even some bonus tracks, but then I decided to give it a listen with an open mind and listen to it how it was originally created, only a dozen tracks and no fancy liner notes and bonus tracks, things which never even existed back in 1965! Instead of being like a flowery concept album or a pop extravaganza, this is straight R&B with an infusion of rock. And as a debut album, there can't be any unfair comparisons to later albums the way some reviewers have been doing with other albums, since if an original fan first heard the album when it came out, then s/he wouldn't have had any knowledge of the later albums to compare them favorably or unfavorably! Some people could criticize this album for not having much or any vocal range or any complex songs, but that's all part of the band's history and it really isn't fair to compare the album of a band just starting out to one of their later albums, one with greater vocal range and songs with deeper meanings and themes. There are a lot of really great mostly-unknown gems on this record, like "La La La Lies," "Out in the Street," "It's Not True," the James Brown covers, and my favorite, "Instant Party (Circles)," in addition to the old standbys of the title track and "The Kids Are Alright." Since this was a d?but album, I don't see the harm in recommending it as a possible first album for a fan, since this was the first Who album for many of the older fans, instead of like newer fans today being able to choose from any number of different compilations and albums, and if a band's debut album is a new fan's first, they'll be able to experience the band for the first time the way many of the older original fans did!


Reviewer: anonymous
Rating:

This is my favourite album of all time. I cant believe that people complain about its choice of material or quality of vocals or pete's 'unmatured' songwriting. This album is everything that British guitar music needs and lacks at the moment, pure excitement, freshness, rawness, perfect pop tunes and raw R n b. Keith's drumming is like one huge drum solo, Pete's guitar is innovative as ever without all that self indulgent Isle of White type rubbish, Johns bass playing is innovative and original, Rogers vocals are young and aggressive and full of emotion and its all stuck together with fantastic hooks, sweet harmonies and fantastic pop songwriting. Kinda like the Beatles on French Blues. Out on the street - awesome powerful aggressive opener, I Don't Mind, great soul stuff, Goods Gone - moody pop sounds, La la Lies is a great jaunty pop song nice sound, Much too Much is a great piece of pop music, almost exhilarating, My Generation (well you know what THAT is), Please Please Please is a nice change of pace after the positive craft of 'kids', Its Not True is a pointer to Where Pete's natural quirkiness as a songwriter was going, same with A legal Matter, I'm A Man - great bit of R 'n' B and then the Ox which is great fun and a nice powerful finish. No mature songwriting? Bah humbug, go and dig your Led Zeppelin albums out and forget what is like to be a young. I love this album. At 18 people think I'm a bit odd.


Reviewer: anonymous
Rating:

F#*^ING POWERFUL!!!!!!!!!!!!!!!!!!!!!!!!!!!!




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